reviews | The Last Movie Guy

Eephus (2024): A Love Letter to Baseball

In sports cinema, epic storytelling is a constant: the historic feat, the underdog’s triumph, the game-winning play in the final minute, narrative devices that form the backbone of films within this subgenre. In the case of Eephus (2024), directed by Carson Lund, the film takes a very different path. Lund opts for a story rooted in the everyday, without glory, yet full of humanity, crafting a baseball movie that is essentially a love letter to the game.

Twinless (2025): Bending Genre Clichés Through Dark Comedy

Posted on 11 Days Ago by Hugo Pagan Soto

With Twinless (2025), director and screenwriter James Sweeney achieves something increasingly rare in contemporary cinema. The film develops a fresh and innovative story; its central idea provides a very distinctive starting point and confronts us with a narrative that moves confidently between drama and dark comedy. Sweeney not only stands out behind the camera but also presents strong credentials in a compelling co-starring role.

Nouvelle Vague (2025): Imagining Godard

Posted on 16 Days Ago by Hugo Pagan Soto

The French New Wave is one of the greatest turning points in the history of cinema. With Nouvelle Vague (2025), Richard Linklater transports us to the exact moment when one of the most important works of this movement was born. He invites us to reimagine Belmondo, Seberg, and Godard during the days they were shooting À bout de souffle (1960).

Bigger Than Life (1956): The Dark Side of the American Dream

Posted on 19 Days Ago by Hugo Pagan Soto

For Nicholas Ray, dismantling the famous “American Dream” was almost a mission. Throughout his work, the American director explored, from multiple angles, the idealized yet unrealistic conception of that utopian society. In Bigger Than Life (1956), he launches a frontal attack on the model family and on a society that suffocates the male figure, reducing him to the role of breadwinner, forced into success regardless of the consequences.

Kill Bill: The Whole Bloody Affair – The Definitive Version of Tarantino’s Revenge Saga

Posted on December 9 by Hugo Pagan Soto

Kill Bill was love at first sight, quite literally. When Quentin Tarantino delivered his fourth feature film in 2003, the cinematic world was shaken. Hollywood’s l’enfant terrible did it again, this time with an epic revenge tale that had to be split in two to ensure effective commercial distribution. In 2004, Volume 2 arrived, confirming that we were witnessing one of the finest films of the 21st century.