The Last Movie Guy

Faces of Death (2026): A Disturbing Mirror of Our Time

The first rule of content creation: give the audience what they want.

Faces of Death (2026) is an uncomfortable but necessary film. Daniel Goldhaber confronts us with the idea that nothing is more disturbing than the content we consume daily on social media. No horror imagined by fiction comes close to the micro-videos that flow through our devices, disguised as harmless by the screen’s illusion of distance. Goldhaber accuses us of not being innocent spectators; we are guilty voyeurs.

Outcome (2026): When Criticism Falls Flat

Posted on 5 Days Ago by Hugo Pagan Soto

Hollywood criticizing itself is something we’ve seen many times in cinema. In that sense, Outcome (2026) offers nothing new. Jonah Hill writes and directs a comedy that satirizes the industry by exposing its modern problems and the methods executives use for crisis management. The idea serves as an interesting starting point. Still, its execution is bland, and the film delivers only isolated moments that fail to sustain either the story or the message the director aims to convey.

Bionico’s Bachata (2024): A Raw Urban Chronicle

Posted on 6 Days Ago by Hugo Pagan Soto

Bionico will do anything to please his Flaca. Calvita refuses to accept losing his friend over a woman, while I can’t stop imagining Bionico’s Bachata as the Dominican Trainspotting. The cold streets of Edinburgh dissolve into the sweat of a Santo Domingo neighborhood, and we no longer have Danny Boyle’s Renton, but Bionico from the Mentes Fritas crew. From its opening sequence, the film signals a singular, frenetic journey that pushes us to the edge of the absurd.

The Super Mario Galaxy Movie (2026)

Posted on 9 Days Ago by Hugo Pagan Soto

Setting the bar too high is always a risky bet. The Super Mario Galaxy Movie (2026) has become (somewhat unfairly) a victim of its own success. What the first film achieved in 2023 was legendary. The animated adaptation of one of the most famous video games of all time combined the nostalgia of a character who has transcended multiple generations of consoles with the classic hero’s journey, resonating with audiences beyond the gaming world. After a failed attempt with a live-action film in 1993, it took 30 years for Mario and Luigi to shine on the big screen truly.

Faust (1926): A Masterpiece of German Expressionism

Posted on 9 Days Ago by Hugo Pagan Soto

“And I see that we can know nothing! This burns my very blood!”

Faust – Johann Wolfgang von Goethe

The demon Mephisto makes a wager with God for dominion over the Earth. If he can corrupt the soul of a single man, the world will be his. Faust, directed by F. W. Murnau, is a loose adaptation of Goethe’s work. This great classic of German literature was inspired by Germanic folklore legends about a learned alchemist who makes a pact with the devil. Folklore and religion merge in a story that probes the human soul, unfolding through the most universal and ancient conflict of all: the struggle between good and evil.