Recent Entries
Flies (2026): Loneliness and Unexpected Connections
I first discovered Fernando Eimbcke with his feature debut, Duck Season (2004), an agile, intelligent, and entertaining film that, in my opinion, ranks among the best comedies of the 21st century. Now I find myself reconnecting with the Mexican filmmaker through his latest offering, Flies. This time, the connection is different. Eimbcke shifts into a…
You Can See Everything (2026): Elizabeth Holmes and the Limits of Truth
Thirty-four days before Elizabeth Holmes was due to report to a detention facility in Bryan, Texas, to begin serving her 11-year, 3-month prison sentence in the Theranos case, she and her partner, Billy Evans, invited filmmakers Nathan Fielder and Lance Oppenheim to document their lives. What began as a project intended to last a few…
Deep Red (1975): Dario Argento’s Stylish Descent into Horror
When we think of Dario Argento, we imagine a trail of blood staining the floor, a razor-sharp blade moving in time with a pair of gloved hands, and a scream cutting through the silence of the night. Deep Red is one of his most stylized works, the defining expression of his filmmaking and the quintessential…
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