Otto Preminger was a craftsman of cinema. His absolute control of the details and the impeccable staging always accompanied him. Bunny Lake Is Missing (1965) has, in effect, that trademark that made Preminger a master of the seventh art. Whether from the stand with his Anatomy of Murder (1959) or immersed in the dark world of addictions in The Man with the Golden Arm (1955), Preminger was always poignant when it came to telling his stories. Common stories that mutated until they became unusual chronicles.

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