movies | The Last Movie Guy

Where Is the Friend’s House? (1987): Minimalism and Humanism

The idea is simple, naïve, and modest, yet it carries a devastating force that confronts us categorically. Where Is the Friend’s House? by Abbas Kiarostami approaches the viewer gently, but once it draws you in, its message becomes overwhelming. Through the eyes of a child facing what may seem like a trivial moral conflict, Kiarostami constructs a complex essay on life, moral responsibility, childhood versus the adult world, and the inevitability of constant change.

Project Hail Mary (2026): Ryan Gosling saving the world

Posted on March 25 by Hugo Pagan Soto

Hollywood has always had a natural flair for ending the world. Project Hail Mary (2026) joins a long list of films centered on impossible missions to save planet Earth from total annihilation. More specifically, Phil Lord and Christopher Miller’s film fits neatly into the category of lone-man space adventures. The reluctant cosmonaut this time is Ryan Gosling. His Ryland Grace becomes humanity’s last hope against a mysterious force slowly draining the Sun’s energy.

Et Maintenant? (2025): A Reflection on Life and Adversity

Posted on March 13 by Hugo Pagan Soto

Cinema has always imitated life, and it finds inspiration for the stories that fill the big screen in those ordinary lives. Et Maintenant? (2025) is another example that supports that idea. Written and directed by Jocelyn Forgues, the film opened the 2026 edition of the Ottawa International Film Festival. With this work, the director offers a reflection on life through adversity, drawing inspiration from his own experience.

Send Help (2026): Horror Meets Corporate Ambition

Posted on March 6 by Hugo Pagan Soto

Since 2009, when he made Drag Me to Hell, Sam Raimi had not stepped so firmly back into the territory of horror. With Send Help (2026), he returns to his roots and crafts a film that uses terror as a vehicle to deliver a harsh critique of the inhuman ferocity of the modern corporate world. As is customary with Raimi, the story is built from very simple premises that require little exposition for the audience to enter the world the protagonists must inhabit.

Perfect Days (2023): The Poetry of Ordinary Life

Posted on February 27 by Hugo Pagan Soto

Wim Wenders has a special gift for capturing the human soul in images. Perfect Days (2023) is a visual poem that confirms the German director’s unique ability to explore the depths of the human spirit. From the ordinary, he constructs a story that transcends the triviality of endless repetitive days. He paints pauses and silences with eloquence, creating a mirror in which we see our own reflection and are compelled to reflect deeply.