Nazareno Cruz and the Wolf (1975)

Paint your village and you will paint the whole world.
Leo Tolstoy
Leonardo Favio knew that very well. It is as if it were impregnated in his DNA, because he did nothing more than shout to the world the trifles, the details, the most intimate of his “village”. With Nazareno Cruz and the Wolf the Argentine director’s bet was quite risky. Now he was not talking about the oppressed children’s victims of a political and social system like in Chronicle of a Boy Alone (1965), nor about the legendary gaucho of Juan Moreira (1973), now he turns to a character that comes from the Guarani mythology. And we say risky because it is not one of those classic figures from Greek or Norse mythology, it is a figure that has limited relevance within a less widespread culture.
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