In his feature-film debut, director Joaquín Ruano explores the complexities of social prejudice and the way it permeates even the simplest aspects of everyday life. Nosotros speaks of the loneliness of migration, corrosive masculinity, and intolerance. The journey from the countryside to the city, one of humanity’s oldest and most inherent journeys, becomes the canvas upon which Ruano constructs his story. Migration is a physical journey, but it also becomes an emotional odyssey.

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