film | The Last Movie Guy

Lee Cronin’s The Mummy (2026)

Posted on 7 Hours Ago by Hugo Pagan Soto

When a film needs a last name, things usually aren’t pointing in the right direction. Even sticking to the main sagas, mummy stories have spawned more than ten films. If we count remakes, spin-offs, and other adaptations, the number easily goes past twenty. So, it’s no surprise that we now get Lee Cronin’s The Mummy (2026), because otherwise there’d be no way to tell which monster we’re dealing with. Cronin delivers a more graphic story, exploring the mummy legend from a different angle and leaning into a harsher kind of horror with touches of gore.

Point Blank (1967): Anatomy of a Fragmented Revenge

Posted on 1 Day Ago by Hugo Pagan Soto

The images seem disconnected, as if we are trapped inside a nightmare that moves erratically. In Point Blank, John Boorman needs only a single sequence to define the absolute tone of his film. We are inside Walker’s mind, impeccably portrayed by Lee Marvin, where memories blend with the present with a force that distorts reality. Walker’s journey for retribution is dressed in the colors of neo-noir, delivering a powerful psychological thriller.

Faces of Death (2026): A Disturbing Mirror of Our Time

Posted on 9 Days Ago by Hugo Pagan Soto

The first rule of content creation: give the audience what they want.

Faces of Death (2026) is an uncomfortable but necessary film. Daniel Goldhaber confronts us with the idea that nothing is more disturbing than the content we consume daily on social media. No horror imagined by fiction comes close to the micro-videos that flow through our devices, disguised as harmless by the screen’s illusion of distance. Goldhaber accuses us of not being innocent spectators; we are guilty voyeurs.

Faust (1926): A Masterpiece of German Expressionism

Posted on 14 Days Ago by Hugo Pagan Soto

“And I see that we can know nothing! This burns my very blood!”

Faust – Johann Wolfgang von Goethe

The demon Mephisto makes a wager with God for dominion over the Earth. If he can corrupt the soul of a single man, the world will be his. Faust, directed by F. W. Murnau, is a loose adaptation of Goethe’s work. This great classic of German literature was inspired by Germanic folklore legends about a learned alchemist who makes a pact with the devil. Folklore and religion merge in a story that probes the human soul, unfolding through the most universal and ancient conflict of all: the struggle between good and evil.

Where Is the Friend’s House? (1987): Minimalism and Humanism

Posted on 28 Days Ago by Hugo Pagan Soto

The idea is simple, naïve, and modest, yet it carries a devastating force that confronts us categorically. Where Is the Friend’s House? by Abbas Kiarostami approaches the viewer gently, but once it draws you in, its message becomes overwhelming. Through the eyes of a child facing what may seem like a trivial moral conflict, Kiarostami constructs a complex essay on life, moral responsibility, childhood versus the adult world, and the inevitability of constant change.