Tár (2022)

Todd Field has a special talent for capturing the human soul. Tár (2022) comes sixteen years after his previous work Little Children (2006) and twenty-one years after his feature directorial debut, In the Bedroom (2001). The common factor in his work is the sharpness with which he displays in images the deepest feelings of the human being. His cinematographic rhythm settles in the vortex of emotions that are born in each of his characters. His work beats to the rhythm of its central characters and generally in that role we have women who are pressured by external elements. This was the case with the characters of Sissy Spacek and Kate Winslet in his previous films and he reaffirms it now with Cate Blanchett.
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