film | The Last Movie Guy

Kill Bill: The Whole Bloody Affair – The Definitive Version of Tarantino’s Revenge Saga

Posted on 12 Days Ago by Hugo Pagan Soto

Kill Bill was love at first sight, quite literally. When Quentin Tarantino delivered his fourth feature film in 2003, the cinematic world was shaken. Hollywood’s l’enfant terrible did it again, this time with an epic revenge tale that had to be split in two to ensure effective commercial distribution. In 2004, Volume 2 arrived, confirming that we were witnessing one of the finest films of the 21st century.

Frankenstein (2025): A Deeper Look at Mary Shelley’s Classic

Posted on 24 Days Ago by Hugo Pagan Soto

Death is the ultimate opponent. The idea of immortality—the symbol we cling to for comfort—represents our desire to defeat this inevitable adversary. With Frankenstein (2025), Guillermo del Toro delivers yet another cinematic adaptation of Mary Shelley’s classic. Since the silent era, more than 60 films and TV adaptations have explored the story of Dr. Victor Frankenstein and his creation. The 1931 Universal Pictures version, with Boris Karloff as the monster, remains the most iconic and is likely the reason the original novel’s ideas have been blurred in popular culture.

The Perfect Neighbor (2025): America’s Fractured Mirror

Posted on October 24 by Hugo Pagan Soto

In 2005, the state of Florida passed the “Stand Your Ground” law — legislation now in effect in several U.S. states — which allows a person to use force (even lethal force) in self-defense without any obligation to retreat first if they believe their life or physical integrity is in danger. Unlike other self-defense laws, this one does not require the threatened individual to attempt to flee or avoid confrontation before using force.

Eddington (2025): A Dark Western From Ari Aster

Posted on October 23 by Hugo Pagan Soto

Eddington marks the fourth feature film by director Ari Aster, a filmmaker with a brief yet potent body of work. Aster has achieved what many directors spend their entire careers chasing — a distinctive voice. His style, atmosphere, and the unsettling tone that permeates his stories are unmistakable. His macabre humor seeps through even in the most disturbing moments. With Aster, there is never a middle ground — he draws sharp lines and forces the audience to choose a side.

House of Wax (1953): The Birth of a Legend

Posted on October 21 by Hugo Pagan Soto

Hollywood’s obsession with remakes is nothing new. Long before André De Toth’s House of Wax (1953), the legendary Michael Curtiz —yes, the same man behind Casablanca— had already explored this story in Mystery of the Wax Museum (1933). De Toth took Curtiz’s film as a foundation but had to tone down the macabre and sexual elements of the original to comply with the strict Hays Code, which governed Hollywood from the 1930s through the late sixties. Decades later, the gruesome allure of the tale would be revived once again in House of Wax (2005), directed by Spanish filmmaker Jaume Collet-Serra and starring, among others, Paris Hilton, offering a bloodier and more commercial reinterpretation of the classic horror story.