Splitsville (2025): When Romantic Comedy Turns Dark

Rating: 4 out of 5.

From its very first sequence, Splitsville makes it clear that it is a comedy willing to take risks without hesitation. The film ventures into the realm of adult comedies that push black humor to the extreme while probing themes that go well beyond the boundaries of the traditional romantic comedy. It quickly becomes evident that this is a movie that may struggle to connect with mainstream audiences, especially those drawn in by the promise of a lighthearted romantic entanglement suggested by its premise.

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Cocaine Bear (2023)

Rating: 2 out of 5.

As if another example were needed that reality is always stranger than fiction, now comes the story of a bear under the influence of cocaine. What Cocaine Bear shows is the result of fiction, but the idea is inspired by a fact as real as that water is wet. In December 1985, a short piece appeared in The New York Times with the headline: “Cocaine and a Dead Bear.” The note referred to the discovery of a black bear that had apparently died of an overdose. In the final part, it was remarked that the substance was cocaine that had been thrown from a plane by a well-known trafficker who had also died trying to complete a parachute jump from the same plane.

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Triangle of Sadness (2022)

Rating: 5 out of 5.
Triangle of Sadness

Just like that family sitting peacefully having their breakfast with the French Alps in the background when suddenly an avalanche shakes their world and changes it forever, that’s how Ruben Östlund shook me with his Force Majeure (2014). From that moment it has been an obligatory task to follow in the footsteps of the Swede. Triangle of Sadness is his sixth feature film. With the sharpness that characterizes him, he delivers an irreverent comedy that takes advantage of every minute to compose a social critique.

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