Movie Reviews | The Last Movie Guy

Bionico’s Bachata (2024): A Raw Urban Chronicle

Bionico will do anything to please his Flaca. Calvita refuses to accept losing his friend over a woman, while I can’t stop imagining Bionico’s Bachata as the Dominican Trainspotting. The cold streets of Edinburgh dissolve into the sweat of a Santo Domingo neighborhood, and we no longer have Danny Boyle’s Renton, but Bionico from the Mentes Fritas crew. From its opening sequence, the film signals a singular, frenetic journey that pushes us to the edge of the absurd.

The Super Mario Galaxy Movie (2026)

Posted on April 10 by Hugo Pagan Soto

Setting the bar too high is always a risky bet. The Super Mario Galaxy Movie (2026) has become (somewhat unfairly) a victim of its own success. What the first film achieved in 2023 was legendary. The animated adaptation of one of the most famous video games of all time combined the nostalgia of a character who has transcended multiple generations of consoles with the classic hero’s journey, resonating with audiences beyond the gaming world. After a failed attempt with a live-action film in 1993, it took 30 years for Mario and Luigi to shine on the big screen truly.

Faust (1926): A Masterpiece of German Expressionism

Posted on April 10 by Hugo Pagan Soto

“And I see that we can know nothing! This burns my very blood!”

Faust – Johann Wolfgang von Goethe

The demon Mephisto makes a wager with God for dominion over the Earth. If he can corrupt the soul of a single man, the world will be his. Faust, directed by F. W. Murnau, is a loose adaptation of Goethe’s work. This great classic of German literature was inspired by Germanic folklore legends about a learned alchemist who makes a pact with the devil. Folklore and religion merge in a story that probes the human soul, unfolding through the most universal and ancient conflict of all: the struggle between good and evil.

Paris, Texas (1984): A Journey Into the Human Soul

Posted on April 2 by Hugo Pagan Soto

If cinema has a soul, it must be something like Paris, Texas. Wim Wenders conceived a monumental work that transcends the limits of cinema. The images could unfold on screen without a single line of dialogue and still deliver a coherent and powerful narrative. Two broken spirits search for redemption, and their journey becomes a visual odyssey that pulls us into the deepest layers of the human soul. From the moment we see Travis, portrayed masterfully by Harry Dean Stanton, emerge from the desert, we are captivated by intrigue.

Where Is the Friend’s House? (1987): Minimalism and Humanism

Posted on March 27 by Hugo Pagan Soto

The idea is simple, naïve, and modest, yet it carries a devastating force that confronts us categorically. Where Is the Friend’s House? by Abbas Kiarostami approaches the viewer gently, but once it draws you in, its message becomes overwhelming. Through the eyes of a child facing what may seem like a trivial moral conflict, Kiarostami constructs a complex essay on life, moral responsibility, childhood versus the adult world, and the inevitability of constant change.