Bunny Lake is Missing: Exploring the Intrigue and Suspense of Otto Preminger’s Classic Film

Rating: 5 out of 5.

Otto Preminger was a craftsman of cinema. His absolute control of the details and the impeccable staging always accompanied him. Bunny Lake Is Missing (1965) has, in effect, that trademark that made Preminger a master of the seventh art. Whether from the stand with his Anatomy of Murder (1959) or immersed in the dark world of addictions in The Man with the Golden Arm (1955), Preminger was always poignant when it came to telling his stories. Common stories that mutated until they became unusual chronicles.

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John Wick: The Man, The Myth, The Masterful Assassin

Rating: 3 out of 5.

The John Wick franchise has created a modern action hero. A throne for which few have paraded in the more than 100 years of the Hollywood industry. In the era of superheroes, television series, and social networks, the grim character in the black suit, with an unfocused look and superhuman skill in handling weapons, has managed to prevail and challenge any form of entertainment that comes out to the public. This John Wick is not a character engendered from the codes of the Instagram and TikTok generation, he is a protagonist conceived almost anachronistically. It could well have been a John Wayne, a Stallone, an Arnold, a Van Damme, or a Bruce Willis. His feat is only compared to what Tom Cruise does these days, where a suit and cape weigh more than anything else.

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Cocaine Bear (2023)

Rating: 2 out of 5.

As if another example were needed that reality is always stranger than fiction, now comes the story of a bear under the influence of cocaine. What Cocaine Bear shows is the result of fiction, but the idea is inspired by a fact as real as that water is wet. In December 1985, a short piece appeared in The New York Times with the headline: “Cocaine and a Dead Bear.” The note referred to the discovery of a black bear that had apparently died of an overdose. In the final part, it was remarked that the substance was cocaine that had been thrown from a plane by a well-known trafficker who had also died trying to complete a parachute jump from the same plane.

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Infinity Pool (2023)

Rating: 2 out of 5.

Like father, like son, it works well here. Brandon Cronenberg not only became a film director like his father, the well-known David Cronenberg but has also been inclined to recreate the visually challenging and surreal universes that his father has accustomed us to. Infinity Pool is Brandon’s third feature film and with it, he confirms his directing style and his preferences when it comes to presenting his narrative. It is impossible not to refer to the cinema that we know of his father and the heap of sequences that he has bequeathed to the cinema. Each scene seems to be covered by a large shadow that eclipses Brandon’s hand and only lets us see Cronenberg.

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Knock at the Cabin (2023)

Rating: 2 out of 5.

In 1999 M. Night Shyamalan shook the world with his movie The Sixth Sense. Nor did the studios expect the then-young director’s film to perform the way it did in theaters. Revenues exceeded 600 million dollars and, in the VHS, and DVD rental market, it was requested by more than 80 million people. The psychological horror-thriller drama thrust the director into the spotlight and enshrined him in almost immediate cult status.

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